ҚАЗАҚ АНИМАЛИСТІК ПРОЗАСЫНДАҒЫ БАЯНДАУ ФОРМАЛАРЫНЫҢ ҚҰРЫЛЫМЫ

Abstract

This article examines in detail the structural system and artistic activity of narrative forms in Kazakh animalistic prose. In Kazakh literature, the animalistic direction is based on a harmonious connection between nature and man, reflecting the internal psychological and social facets of human existence through the animal world. In animalistic works, the image of an animal is recognized not only as an additional element, but also as one of the main carriers of the main ideological and artistic content. From this point of view, an urgent issue for literary criticism is the study of the organization and narrative structure of narrative forms in such texts.

In the course of the study, the features of the formation of Kazakh animalistic prose, the place of the narrator in the text, methods of conveying the author's point of view, issues of compositional structure in the transmission of the event are analyzed. Activities are also determined in the formation of the content of the work of art of such narrative approaches as the primary and third forms of storytelling, heroic storytelling, internal monologue, dialogical communication and psychological description. Descriptions of the animal world through narrative forms, their behavior and actions are proven to be supported by moral, philosophical problems in human society. The article clarifies the aesthetic, cognitive and ideological significance of the structure of the narrative in animalistic prose, indicates the significance of such works in revealing the genre nature. The results of the study serve as a scientific basis for the narratological and structural analysis of animalistic texts in Kazakh prose.