ОПИСАТЕЛЬНЫЕ СТРАТЕГИИ В ТРАВЕЛОГАХ АДИ ШАРИПОВА

Abstract

This article is a study devoted to the application of descriptive strategies to the analysis of artistic travelogue in order to identify and understand its creative properties that characterize both the surrounding world and the inner world of a person. It is also noted that travelogue is one of the popular genres of literature. The goal is to study and describe the descriptive travelogue strategies undertaken in the writing of Adi Sharipov. The authors of the article focus on travelogue as an object of research, identifying the features of the content of the author’s descriptive strategy in the writer’s travel notes. The authors of the article focus on travelogue as an object of research, identifying the features of the content of the author’s descriptive strategy in the writer’s travel notes. In the course of the work, to establish the defining moment in the writer’s travelogue work, biographical information from his life is used for its analysis and evaluation. Also in the process of work, the language practice of the writer in travelogues is considered as one of the features of mental authors who convey new cultures through such strategies of linguistic objectification as comparison, metaphor, personification, detailing, humor and irony. The authors suggest that the writer’s language reflects an integral system and its internal laws and patterns, which are subject to the compositional and semantic organization of the travelogue. The article notes that Adi Sharipov’s travelogues, as valuable sources of information about the culture, history and geography of Kazakhstan and other countries in artistic form, are reasonable and understandable. In determining the writer’s descriptive strategy, objective analytical, literary and other scientific methods were used. It is also indicated that the analysis of the types and genres of travelogue reveals their great diversity, which today does not have one generally accepted scientific definition, as well as many unresolved aspects in art and, in particular, in literature. The authors propose methods and approaches based on the descriptive strategy of an individual writer for a deeper understanding of the artistic phenomenon of travelogue.