No. 3 (2023)

THE CONCEPT OF TIME IN THE ANCIENT TURKIC WRITTEN MONUMENTS

THE ARTISTIC CONCEPT OF "FORESIGHT" IN THE SPACE OF THE TEXT AND WAYS OF OBJECTIFICATION OF ITS MEANING

https://doi.org/10.55808/1999-4214.2023-3.03

THE LINGUISTIC AND CULTURAL NATURE OF DIALOGUE IN A LITERARY TEXT

*COGNITIVE STRUCTURE OF THE «HIKMET» YASAVI LANGUAGE: THE CONCEPT OF «IMAN»

GESTALT WORDS

GENDER ASPECTS OF STUDYING KAZAKH LITERATURE

NATIONALITY AND HEROISM IN ANCIENT DASTANS

*THE IMAGE OF THE CITY IN MODERN KAZAKH POETRY

SYMBOLIC AND MYTHOPOETIC MEANING OF THE CONCEPT OF SERIKBALL KONDYBAI «PRIMORDIAL LAND»

«ҚЫРЫҚ МЫСАЛ»: ЖИНАҚТЫҢ ЖАРИЯЛАНУ ТАРИХЫ ЖӘНЕ ОНЫҢ АБАЙ ШЫҒАРМАШЫЛЫҒЫМЕН ҮНДЕСТІГІ

*TRANSLATION IN THE ALASH PERIOD: J. AIMAUVUTULI IS THE FIRST TRANSLATOR OF J. LONDON'S STORIES INTO KAZAKH LANGUAGE

THE CONCEPT OF ARCHETYPE IN LITERATURE AND JUNG'S THEORIES

HUMOR AND SATIRE IN THE PROSE OF DULAT ISABEKOV (based on the story "The Marriage of Bonaparte")

*NEW TRENDS IN MODERN KAZAKH POETRY (Based on the works of A.Elgezek, E.Zhunis, B.Karagyzuly)

*«PANCHATANTRA», «KALILA AND DIMNA» AND THE KAZAKH EXAMPLE: PLOT AND TRANSFORMATION

SOME SCIENTIFIC AND THEORETICAL ISSUES OF ESTH-FOLKLOROISTICS

THE IMAGE OF KHANS, SULTANS AND HEROES IN THE DRAMATIC WORKS OF RAHIMZHAN OTARBAYEV

SCIENTIFIC AND THEORETICAL FOUNDATIONS OF TEACHING M. AUEZOV'S STORIES

TEACHING LANGUAGES IN TECHNICAL UNIVERSITIES